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Hyperconnected museums and heritage sites: New approaches, new audiences. there’s more than meets the eye

Talila YEHIEL1 | Shani ZIV2 (1Mofet Institute, Tel Aviv | 2TheWandering.net, Tel Aviv, Israel) Keywords: Dynamic heritage, New audiences, Digital curating, Public participation, interactive maps, wandering , narratives The collaborative process of creating interactive experimental  heritage maps Experiences from  Puebla- , Mexico , Erez Israel museum and  five partners  of the congress  in Vienna. Challenges that will be discussed: How do we mediating collections and spaces? Who is curating and who is creating digital experiences around heritage sites? How the technology can support DIY (do it yourself) storytelling ? How do we encourage in situ experimental learning, balancing visual, sensual, social and technological? How can we feel close to the object with the supportive technology? Technological sustainability: From a catalog to interaction – How can your catalogue turn into Lego cubes that you can re-use to  build your visitors’ experiences ? From top down to profile oriented – How can you curate your visitors’ experiences? Especially new audiences From information to narrative – How can the curator visually tell the big story in the exhibition? 3.How does it work? Four models for starting points will be presented: On your own- substitute of traditional mediation by museums: maps, games, Audio guide, working sheets, labels evolution Academically speaking: The university as a leading institute that supports research and new innovations. The cultural community – museums and heritage professionals from the same city that decided to collaborate. Button up – students as content creators. Students collaborated with the curator and created original content around the exhibition. My supportive technology is the wandering platform. https://muse.run/ My personal site:...

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3D Visualisation of the Roman Architecture on the Celtic Acropolis at the Bratislava Castle

Margaréta MUSILOVÁ| Jana MINAROVIECH (Municipal Monument Preservation Institute Bratislava |  STUDIO 727 BRATISLAVA) Abstract: Recent discoveries of Roman buildings on the Northern terrace of the Bratislava castle and in the Castle courtyard from 1st century B.C., brought new questions and challenges. Roman construction techniques were brought into the milieu of Celtic settlements of Central Europe far from the Roman Empire. The Bratislava oppidum had an excellent strategic position; it was located on the Crossroads of Amber and Danube roads. The Celts who inhabited the oppidum with the Acropolis on the top of the Castle Hill had very close relationship with the Romans before the conquest of the Central Danube region. Archaeological research on the Bratislava Castle hill was conducted in the years 2008-2010 by the Municipal Monument Preservation Institute in Bratislava and in the years 2013-2014 in cooperation with a private archaeological company VIA MAGNA s. r. o. The first constructions identified by the archaeological research performed between 2008 and 2010 were Roman type buildings I and II, it means they must have been constructed for the Celts by Roman builders. Both masonry relics, dated to the period of 50/40 – 30/20 BC were found during rescue excavations on the northern terrace of the Castle Hill. In a short lecture we will  presents a 3D Model of the Celtic Hillfort,  hypothetical reconstruction of two habitation constructions and an amphorae storehouse. The 3D model and reconstructions were made by the  STUDIO 727 Bratislava, using laser 3D scanning and...

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Program Visual Heritage 2018 – Long List

Session: Visual Experience of the Past – Multiple ways to visualize Cultural Heritage for the General Public Chairs: Giorgio VERDIANI, Italy | Willem BEEX, The Netherlands Monday, November 12, 2018 (Festsaal) 09:00 – 10:20 Matthew NICHOLLS, UK: Virtual Rome: large-scale public responses to digital 3D cultural heritage in a MOOC Christoph LOBINGER, Germany: The international project VirtualArch: visualization and presentation of hidden archaeological heritage across Central Europe Marco CALLIERI | Rachele MANGANELLI DEL FÀ | Andrea ARRIGHETTI | Giovanni MINUTOLI | Giovanni PANCANI, Italy: Different paradigms for different spaces: showing the Montagnola Tomb inside & out Marleen DE KRAMER | Christopher MORSE | Sam MERSCH, Luxembourg: What’s In A Name: Gamifying the Intangible History of Larochette, Luxembourg Zdravko DIMITROV | Miglena RAYKOVSKA | Emil MICHOV, Bulgaria: Virtual reality for rescue excavations: preserve the non-preservable. The example of the Roman villa rustica near Blagoevgrad Doris EBENSCHWANGER | Daniel ISEMANN | Sander MÜNSTER, Germany: Perception of Historical Buildings in Virtual Reality and Good Old Fashioned Reality – A Comparative Study Eleonora GANDOLFI | Graeme EARL | Grant COX, UK: Digital Open Scholarships in Heritage: how archaeological data can be reused to engage digital audiences Arie KAI-BROWNE | Thomas BREMER | Kay KOHLMEYER | Julia GONNELLA | Sebastian PLESCH | Susanne BRANDHORST | Jona SCHLEGEL, Germany: Spatial Contextualization of Cultural Heritage – the Cupola of the Torres de las Damas on the Alhambra Ylenia RICCI | Giorgio VERDIANI | Andrea PASQUALI, Italy: A petrified petrifying eyesight: a story for the MEDUSA’S HEADS from Istanbul, Turkey Andrea ASCHAUER | Jürgen HAGLER | Jeremiah DIEPHUIS | Michael LANKES, Austria: The Virtual House of Medusa: Playfully Collaborative Virtual Archaeology in a Museum Context 10:20-10:40 | Coffee Break 10:40-11:00 | Opening 11:00-12:00 | Key Notes 12:00-14:00 | Lunch Break 14:00 – 18:00 Giovanni VERRESCHI | Antonio NOVELLINO | Davide PANTILE, Italy: Exploracity: an innovative platform offering new services for the enhancement of Tourism and Cultural Heritage Adele MAGNELLI | Stefania BANDINI | Matteo VENTRELLA, Italy: Casanova Museum and Experience: how to integrate History with Virtual Reality in order to relive the past Eva PIETRONI | Alfonsina PAGANO | Enzo D’ANNIBALE, Italy: The use of holographic showcases...

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Program “Visual Heritage 2018” – List of Authors

Visual Experience of the Past” – Multiple ways to visualize Cultural Heritage for the General Public Chairs: Giorgio VERDIANI, Italy | Willem BEEX, The Netherlands Monday, November 12, 2018 (Festsaal) 09:00 – 12:00 Matthew NICHOLLS, UK: Virtual Rome: large-scale public responses to digital 3D cultural heritage in a MOOC Cristiana BARANDONI, USA: Mann-In-Colours. The first Italian database on polychromy of ancient sculptures Christoph LOBINGER, Germany: The international project VirtualArch: visualization and presentation of hidden archaeological heritage across Central Europe Konstantina SIOUNTRi | Dimitrios D. VERGADOS | Emmanouil SKONDRAS | Christos-Nikolaos ANAGNOSTOPOULOS, Greece: The revival of buried monuments through Augmented Reality (AR) Marco CALLIERI | Rachele MANGANELLI DEL FÀ | Andrea ARRIGHETTI | Giovanni MINUTOLI | Giovanni PANCANI, Italy: Different paradigms for different spaces: showing the Montagnola Tomb inside & out Marleen DE KRAMER | Christopher MORSE | Sam MERSCH, Luxembourg: What’s In A Name: Gamifying the Intangible History of Larochette, Luxembourg Zdravko DIMITROV | Miglena RAYKOVSKA | Emil MICHOV, Bulgaria: Virtual reality for rescue excavations: preserve the non-preservable. The example of the Roman villa rustica near Blagoevgrad Doris EBENSCHWANGER | Daniel ISEMANN | Sander MÜNSTER, Germany: Perception of Historical Buildings in Virtual Reality and Good Old Fashioned Reality – A Comparative Study Eleonora GANDOLFI | Graeme EARL | Grant COX, UK: Digital Open Scholarships in Heritage: how archaeological data can be reused to engage digital audiences Arie KAI-BROWNE | Thomas BREMER | Kay KOHLMEYER | Julia GONNELLA | Sebastian PLESCH | Susanne BRANDHORST | Jona SCHLEGEL, Germany: Spatial Contextualization of Cultural Heritage – the Cupola of the Torres de las Damas on the Alhambra Ylenia RICCI | Giorgio VERDIANI | Andrea PASQUALI, Italy: A petrified petrifying eyesight: a story for the MEDUSA’S HEADS from Istanbul, Turkey Andrea ASCHAUER | Jürgen HAGLER | Jeremiah DIEPHUIS | Michael LANKES, Austria: The Virtual House of Medusa: Playfully Collaborative Virtual Archaeology in a Museum Context 14:00 – 18:00 Giovanni VERRESCHI | Antonio NOVELLINO | Davide PANTILE, Italy: Exploracity: an innovative platform offering new services for the enhancement of Tourism and Cultural Heritage Adele MAGNELLI | Stefania BANDINI | Matteo VENTRELLA, Italy: Casanova Museum and Experience: how to integrate History with Virtual Reality in...

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‘s-Hertogenbosch, The Netherlands

Dennis DEKKER (Erfgoed ‘s-Hertogenbosch, ‘s-Hertogenbosch, The Netherlands) Keywords: medieval city gate, digital and visual media, public excavation, 3D reconstructions, timelapse videos ‘s-Hertogenbosch, The Netherlands: in the summer of 2016 an archaeological excavation took place to unearth the history of a medieval city gate, the so-called ‘Pieckepoort’. The excavation was organized by the Heritage Department of ‘s-Hertogenbosch Municipality. This poster aims to provide solutions to the challenge of bringing the general public closer to archaeological heritage. To reach the audience, innovative techniques were applied using digital and visual media. It was the city’s first large-scale public excavation, which attracted media attention and was assisted by the work of many volunteers. The excavation could also be followed from special viewing points on the top of two containers and by a webcam. Various visual applications have been developed to reach the public. 3D reconstructions and timelapse videos have been made to share on different online channels. And thanks to 360 degree photography it is possible to offer a virtual tour of the archaeological excavation. An educational game is being developed for children and youngsters. They can use virtual reality glasses to explore the Middle Ages and the area around the old Pieckepoort. In the meantime they can come in contact with historical characters and search for objects that were found there during the archaeological excavation. Thanks to the use of these new techniques and by visually presenting the heritage, we were able to reach a larger and wider...

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Hofburg – Ahnensaal

Lectures: Wednesday, November 14, 2018, 09:00am – 06:00pm Location: Hofburg – Ahnensaal, Säulenstiege   Federal Monuments Authority Austria Monuments bring the past to mind, form our cultural landscape, are part of our identity and important element of the image of our country as well as a significant factor in economy and tourism. The Federal Monuments Authority Austria is the professional instance that protects the cultural heritage of Austria by law and assumes the responsibility for the preservation of the monuments. It is not only a professional authority but also a service agency that spreads the necessary historical and technological knowledge and is open to requests and suggestions. The primary aim is to preserve in an authentic way cultural heritage which is an irreplaceable capital for the future. https://bda.gv.at For more information visit our App – Inside/Outside Visual Heritage: http://wien.run (open two weeks before the congress will start)...

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